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第12届FIRST影展“剧情长片”单元提名影片《柔情史》

导演

导演

剧照

剧照

剧照

剧照

柔情史

Girls Always Happy

非首映

Non-Premiere

*最好剧情片提名

中国 | 2018 | 彩色 | 117分钟 | 剧情

China | 2018 | Color | 117min | Fiction

导演/编剧/剪辑 | 杨明明

摄影 | 沈晓闽

美术 | 赵羽含、熊越

音效/音乐 | 房涛

监制 | 杨超

演员 | 耐安、张献平易近、李勤勤

导演简介

杨明明,导演

2012年她导演摄影兼主演的短片《女导演》,以倾覆性的创作不雅念和拍摄手法,完美无缺地将极端真实的表演和虚构剧情合为一体,代表青年导演的最新最酷的缔造力。

2015年间剪辑了杨超导演的剧情长片《长江图》,本片取得柏林片子节卓异艺术进献奖。

2017年拍摄片子《柔情史》,该片是杨明明自编、自导、自演的首部长片文艺片子。

2018年该片入围了第68届柏林片子节全景单位并取得最好童贞作提名。同年荣获第42届喷鼻港国际片子节新秀比赛——火鸟年夜奖及国际影评人费比西奖。第20届首尔国际女性影展最好导演奖。

Director's Biography

Yang Mingming, director. 

In 2012, She directed, shot, and starred in her short debut Female Directors, which showed her capacity to adopt subversive creative concept and photography skills, as well as her success to seamlessly suture hyper-real performance with the fictional plot. Female Directors marked the new creativity of young directors. 

In 2015, she edited Yang Chao’s feature film Crosscurrent, which won the Silver Bear for Outstanding Artistic Contribution. 

In 2017, Girls Always Happy is the first artistic feature written, directed and performed by Yang Mingming. 

In 2018, Girls Always Happy premiered at Panorama of 68th Berlin International Film Festival and was nominated for the Best First Feature. Same year, Girls Always Happy won Firebird Award and FIPRESCI Award at Hong Kong International Film Festival and Best Director at Seoul International Women’s Film Festival.

导演论述

这不是一部鼓吹家庭暖和的片子,这是一部用外科手术刀分解而成的片子,从今世北京一对母女糊口的横截面入手,凛凛与戏剧并存,从头注释了今世中国的柔情史和欢愉。

Director’s Statement

This is not a film to praise family. Girls Always Happy depicts the life of a mother and a daughter in a Beijing hutong with a fierce, but romantic touch. It is a movie, but also a medical record, of sorts. With both cruelness and drama, the film re-explains China’s history of tenderness and happiness.

剧情简介

刚和男朋友分手的小雾,因一笔不测的稿费而在北京胡同里租了一套房子,等候本身一小我的世界。不意母亲因没法与家中的白叟相处,搬来与她同住。奇异的战争最先了。天天一睁眼,在房子的每⼀个角落,母亲荒诞的糊口法则与偏执的行动体例熬煎着小雾。小雾也被母亲的思惟逻辑潜移默化的影响着。两个极端缺少平安感的女人,在饭桌, 尿盆,碗筷中相互进犯,防御。在战争飞腾,她们已没法面临彼此。母女各自最先了一场爱情,取得了临时的均衡,但终究都掉败了。

Synopsis

After breaking up with her boyfriend, Wu rents a house in a Beijing hutong out of an unexpected royalty. While she is excited about living alone, her mother moves in with her because she cannot bear to live with the old man at home. A bizarre war sets off between them in every corner on every day. Tortured by the absurd daily rules of life and the paranoid behavior of her mother, Wu is also influenced by her mentality and logic bit by bit. The two women, feeling extremely insecure, attack and defend each other on the table and in the urine pot. During the climax of their war, they cannot bear to confront each other. Each of them starts a new relationship, and the short-lived balance fails ultimately.

“一段岁月从一小我的眼角流逝和一个时期在城市中闭幕一样值得玩味和铭刻。导演用极为细腻正确的笔触勾画出一段属于母女二人的柔情史。”

“A period of age flowing from aperson’s eye corner and an era passing in a city both deserve to be remembered and cogitated. The director uses an exquisite and accurate touch to portrait a gentle story between the mother and the daughter.”