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第12届FIRST影展“国际长片”提名影片《星期五的孩子》

《星期五的孩子》导演

《礼拜五的孩子》导演

《星期五的孩子》剧照

《礼拜五的孩子》剧照

《星期五的孩子》剧照

《礼拜五的孩子》剧照

礼拜五的孩子

Friday’s Child

非首映

Non-Premiere

*评委会年夜奖(长片)提名

美国 | 2018 |彩色| 93分钟 |犯法/剧情

US | 2018 | Color | 93min |Crime/Drama

导演/编剧 | A.J.Edwards

制片 | Christian Sosa, Nicolas Gonda,Tyler Gloat

履行制片 | Alan Elias,Gus Van Sant

摄影 | Jeff Bierman

美术 |John Parker

服装 |Kameron Lennox

选角导演 |John Williams,Karmen Leech

剪辑 | Samuel Butler, Christopher Branca

导演简介

2013年,A. J.爱德华兹编剧并导演了他的第一部长片《少年林肯》,由黛安·克鲁格、杰森·克拉克、布丽特·马灵和韦斯·本特利主演。故事环绕着亚伯拉罕·林肯的少年时期睁开。该片在2014年圣丹斯片子节进行了美国首映,并在第六十四届柏林国际片子节进行了国际首映,后于2014年秋于全美院线上映。《礼拜五的孩子》是A.J.爱德华兹担负编剧和导演的第二部长片,它是一个今世犯法剧情片,一个产生在德克萨斯州关于救赎的故事。泰伊·谢里丹、伊莫琴·普茨、杰弗里·怀特和卡赖伯·兰德里·琼斯参演了本影片。

Director's Biography

In 2013 A. J. Edwards wrote and directed his first feature,The Better Angels, which stars Diane Kruger, Jason Clarke, Brit Marling, and Wes Bentley. The film centers on the youth of Abraham Lincoln. It debuted domestically at the 2014 Sundance Film Festival and internationally at the prestigious 64th Annual Berlin International Film Festival. It opened theatrically nationwide fall of 2014. Edwards’s second feature as writer and director isFriday’s Child, a modern-day crime drama and redemption story set in Texas starring Tye Sheridan, Imogen Poots, Jeffrey Wright, and Caleb Landry Jones.

导演论述

《礼拜五的孩子》是一个关于犯法和赏罚的故事,它活泼地反应了德克萨斯州韦科市的青少年糊口。本影片的灵感来自于美国当下社会的一个弊端——很多跨越法定抚养春秋的十八岁青年所履历的流落不定的糊口。因为没有恰当的资本、教育或靠得住的人际关系,良多青年人误入邪路,落得无家可归,更有甚者,还触碰法令的底线。如许的社会布景孕育出了里奇·温科特这个脚色(由泰伊·谢里丹饰演、由主创人员进行最初的调研),同样成为全部影片的奠定石,我但愿能在此之上讲述一个关于爱、掉去、出错和救赎的布满人道的故事。

Director’s Statement

Friday’s Child is a crime and punishment story and a passionate portrait of youth set in Waco, Texas. The film’s exposition was inspired by an ongoing national malady: the rootlessness and impermanence experienced by many “aging out” of foster care at 18 years old. Without proper resources, education, nor solid relations, too many young adults go astray, becoming homeless, or worse, entangled with the law. This background for the character of Richie Wincott (played by Tye Sheridan and researched firsthand by the film’s creators) is the cornerstone of what I hoped would be a humane story about love, loss, wrongdoing, and redemption.

影片简介

方才跨越法定抚养春秋的18岁男生里奇·温科特,在其支离破裂的糊口中承受重重坚苦和诱惑。因一次低劣的入室掳掠而成为头号嫌疑犯后,他发现本身对一个不克不及成为伴侣的人发生了不成能的恋爱。但是,一方面差人步步紧追,另外一方面有一个不怀好意的生疏人要挟着要戳穿里奇的过往,里奇也许没有足够的时候做出准确的决定。

Synopsis

Fresh out of foster care at age 18, Richie Wincott collides with the perils and temptations of a life apart. Becoming a prime suspect in a botched robbery, he discovers an impossible love in an unlikely friend. But with the police on his heels, and a sinister stranger threatening to reveal Richie's past, there may not be enough time to do the right thing.

“广漠的,迷掉的,和躁动的。作为一次成功的青少年心里外化,本片用惊人的视觉气概从头界说了‘无处挣扎’一词。作为泰伦斯马利克导演的御用剪辑,所有段落的毗连明显被精心处置,显现出怪异的魅力。”

“Vast, lost and restless. Being a successful externalization of teenager’s inner world, this film redefines the phrase‘exitlessness’ through extraordinary visual style. Having the experiences of being Terrence Terry Malick’s chief editor, the director sophisticatedly connects every scene, which makes the whole film unique and attractive.”